Burden shed, sintering plant and the outdoor areas of the World Heritage Site V\u00f6lklinger H\u00fctte<\/p>\n
The URBAN ART BIENNALE is one of the world\u2019s largest exhibitions of this anarchic art form, which transcends conventional \u2018white cube\u2019 aesthetics. Since 2011, every two years, the entire site of the V\u00f6lklinger H\u00fctte enters into dialog with this art form that has evolved from street art and graffiti.<\/p>\n
Since the last two biennials extended far into the urban landscape of V\u00f6lklingen, the 2026 edition will once again place a stronger emphasis on the location and contents of the V\u00f6lklinger H\u00fctte. More works than ever before are being created in situ, specifically for their location within the World Heritage Site. Numerous artists are engaging directly through their work with the architecture and history of the former ironworks.<\/p>\n
\u2018Street art and graffiti have developed in tension with the city, competing with its existing messages. Equally today\u2019s urban art needs both a counterpart and a partner: a place whose spatial structure can serve as a source of inspiration or a point of distinction, and whose history the artist\u2019s work can engage with. The V\u00f6lklinger H\u00fctte offers countless possibilities for this\u2019, says the curator of the URBAN ART BIENNALE, Frank Kr\u00e4mer.<\/p>\n
The rugged charm of the burden shed or the sintering plant will meet delicate fabrics and expansive installations. NeSpoon weaves a delicate spider\u2019s web of crocheted doilies between the sintering plant and the burden shed, whilst graffiti pioneer Boris Tellegen \u2013 known as DELTA and for his three-dimensional-looking letters \u2013 translates his spatiality into a gigantic two-tone wooden sculpture.<\/p>\n
In Baptiste Debombourg\u2019s truly multifaceted installation about the work and workers of the V\u00f6lklinger H\u00fctte, clothes studded with shards of mirror glass play a central role. The French artist Milo collects fingerprints in V\u00f6lklingen and transfers them onto paper using coal dust in order to bring them to the burden shed of the World Heritage Site. Igor Ponosov translates the distinctive movements of ironworkers into a performance that brings new life to the historic rhythm of the industrial site. Through the jackets, shirts, trousers, skirts, scarves, and caps that Coco Bergholm designed, which are inspired by the different surfaces of the former ironworks and today\u2019s World Heritage site, ranging in colour from rust red to paradise green, visitors can quite literally blend into the locations of the ironworks in a \u2018post-industrial camouflage\u2019. In other words: HUETTECOUTURE!<\/p>\n
The fascination with railway carriages \u2014 which were at the heart of graffiti culture and served as the main means of transportation at the V\u00f6lklinger Ironworks \u2014 is brought to life at this year\u2019s URBAN ART BIENNALE through art installations and a photographic exhibition that reflects the culture of urban graffiti crews and allows visitors to experience street art in remote and inaccessible locations.
\nREFRESHINK draws on a traditional artistic technique to create spray-painted works reminiscent of mosaics. In contrast, Tomas Lacque allows his urban installation to solidify beneath a layer of paint, creating the impression that a shower of ash has fallen onto it. This evokes associations with Pompeii following the volcanic eruption.<\/p>\n
The artist Ampparito chose the roof of the Burden Shed as the canvas for his message. The large letters of his work are best viewed from the World Heritage Site’s viewing platform, which is 45 metres above the ground. It plays on the messages that car owners in Spain sometimes place inside their vehicles: NO HAY NADA DE VALOR, loosely translated to \u2018There\u2019s nothing of value in here\u2019. As if!<\/p>\n
UNLOCK BOOK FAIR<\/strong><\/p>\n Alongside the opening, the UNLOCK BOOK FAIR will take place from 8 to 10 May, in cooperation with the Interreg programme GRACE \u2013 Greater Region Artistic and Cultural Education. The fair gives visitors the opportunity to explore specialised literature on murals, street photography and street art, as well as publications on contemporary art relating to graffiti and subculture. After stops in Barcelona, Amsterdam, Berlin, Modena and last year’s Cultural Capital, Chemnitz, the international book fair will celebrate its tenth anniversary at the V\u00f6lklinger H\u00fctte.<\/p>\n More than 80 publishers from 22 countries across four continents will be at the World Heritage Site V\u00f6lklinger H\u00fctte, showcasing their publications \u2013 most of which are unavailable in regular bookshops. The book fair will be accompanied by numerous discussions, film screenings and workshops. The Parisian artists Tomek and Mosa (PAL Crew) will be creating calligraphic installations, and the director of the Museum of Graffiti in Miami will also be among the guests.<\/p>\n <\/p>\n URBAN ART BIENNALE 2026<\/strong> 10. May \u2013 15. November 2026\u00a0Kurator: Frank Kr\u00e4mer, Exhibition Manager World Heritage Site V\u00f6lklinger H\u00fctte<\/p>\n In cooperation with\/supported by: Burden shed, sintering plant and the outdoor areas of the World Heritage Site V\u00f6lklinger H\u00fctte The URBAN ART BIENNALE is one of the world\u2019s largest exhibitions of this anarchic art form, which transcends conventional \u2018white cube\u2019 aesthetics. Since 2011, every two years, the entire site of the V\u00f6lklinger H\u00fctte enters into dialog with this art […]<\/p>\n","protected":false},"author":1,"featured_media":47638,"comment_status":"open","ping_status":"closed","template":"","tags":[],"mec_category":[3906,3907],"class_list":["post-51052","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","mec_category-germany-event","mec_category-voelklingen-event"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.urbanpresents.net\/en\/wp-json\/wp\/v2\/mec-events\/51052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.urbanpresents.net\/en\/wp-json\/wp\/v2\/mec-events"}],"about":[{"href":"https:\/\/www.urbanpresents.net\/en\/wp-json\/wp\/v2\/types\/mec-events"}],"author":[{"embeddable":true,"href":"https:\/\/www.urbanpresents.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.urbanpresents.net\/en\/wp-json\/wp\/v2\/comments?post=51052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.urbanpresents.net\/en\/wp-json\/wp\/v2\/media\/47638"}],"wp:attachment":[{"href":"https:\/\/www.urbanpresents.net\/en\/wp-json\/wp\/v2\/media?parent=51052"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.urbanpresents.net\/en\/wp-json\/wp\/v2\/tags?post=51052"},{"taxonomy":"mec_category","embeddable":true,"href":"https:\/\/www.urbanpresents.net\/en\/wp-json\/wp\/v2\/mec_category?post=51052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBurden shed, sintering plant and the outdoor areas of the World Heritage Site V\u00f6lklinger H\u00fctte<\/p>\n
\nINTERREG-Project GRACE, Constellations Metz, Le Mur Paris, Gallery Automat Saarbr\u00fccken and the city of V\u00f6lklingen<\/p>\n","protected":false},"excerpt":{"rendered":"